英文摘要 |
While historical narrative of a society has been overwhelmingly framed by the nation-state, there has been a different mode of depicting the past as well as the present in the fugitive society of Hong Kong. This essay examines how the romantic narrative of pirates in the past and the agrarian narrative at the present have captured the imagination of many Hong Kong people. Narrative in this context is understood as something yet to establish itself as a coherent ideological subjectivization but constitutes certain imaginary relations to the external conditions, or functions as a socially symbolic praxis. The content of such narrative could be conflicting in itself, revealing it is more a product of diverse collective experience and thinking than any consistent project. The essay analyzes how the maritime piracy on the southern Chinese coasts has been appropriated in the Hong Kong regional narrative to parallel Hong Kong collective imaginary as well as real situations. The pirate society was assumed as the epitome of Hong Kong refugee society of the 1950s, projecting freedom from the state control or any sovereign authority. The essay also looks at an inchoate agrarian narrative about Hong Kong facing up the looming power of the Chinese sovereign state after the 1997 handover. Such agrarian alternative seeks to secure Hong Kong community as an autonomous place by advocating the revival of farming activities in order to voice the dissent from the increasingly centralized rule by embedding sentiment for the locality within a series of modern global discourses, such as ecology movements, organic farming, food sovereignty, environmentalism, and preservation of heritage. Although these non-state narratives may be criticized as phantasy, they may effect as potential events that allow something to be reproduced under oblivion. |