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篇名
《洛陽伽藍記》收錄〈庭山賦〉之動機再探
並列篇名
Exploring the Motive of Luoyang Qielan Ji in Citing Ting Shan Fu
作者 林郁迢
中文摘要
姜質<庭山賦>既非名家名作,甚至文辭粗鄙,卻被文學造詣頗高的楊衒之全文引錄於《洛陽伽藍記》,此弔詭現象不僅引發近代學者多所臆測,也誘使本文商量舊學之興趣,進而探究楊氏之所以引錄與其信念價值判若雲泥的<庭山賦>,實乃史家一筆兩寫之敘述策略,藉此諷刺擾亂綱紀的權臣及阿附權貴的逢迎小人。就楊氏撰書之時間點而言,當時氣焰囂張、無視禮法綱紀的高歡父子及阿諛順旨、奉詔撰史的魏收,恰符合此兩類形象。
英文摘要
Composed by a little-known writer Jiang Zhi, , Ting Shan Fu presents a poor language and rough rhetoric skills. However, such work was full-text cited in Luoyang / 7 by Yang Xuanzhi, who achieved high literary performance. This paradoxical phenomenon has triggered considerable assumptions among scholars in recent years and elicited the motivation of this study in discussing the Old learning. This study explored Yang's motive for citing Ting Shan Fu , which presents content contradictory to Yang's belief and value and determined that such citation was a historian descriptive strategy Of implying double meanings 111 a passage to ironize the officers who held power but breached legal principles and low-dignity people who were obedient to authorities. Considering the time when Yang composed Luoyang Qielan Ji, the arrogant Gao Huan family who despises legal principles and Wei Shou who edited history by conforming to the emperor's order exactly met the characteristics of breachmg legal principles and low dignity.
起訖頁 37-52
關鍵詞 楊衒之洛陽伽藍記姜質庭山賦高歡魏收Yang Xuanzhi"Luoyang Qielan Ji"Jiang Zhi"Ting Shan Fu"Gao HuanWeiShou
刊名 臺北大學中文學報  
期數 201503 (17期)
出版單位 國立臺北大學中國文學系
該期刊-上一篇 創造性詮釋──七齣改編劇作的時代意義
該期刊-下一篇 從「理一分殊」命題的現代詮釋論宗教發現的邏輯
 

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