試論謝靈運的藝術涵養與山水詩之創作

Hsieh Ling-yun's Capacity of Calligraphy ,Painting and Music Interact with Landscape Poetry

謝靈運書畫音樂的涵養來自陳郡謝氏的家族風尚，對他在山水詩的創作有一定的影響。他「真草俱美」，尤其草書易於抒寫情意，與他以山水詩書寫自己的「憂」與「遊」有本質上的雷同。日本有兩位學者小西昇和志村良志舉證歷歷，認為大謝山水詩與〈畫雲臺山記〉、〈畫山水序〉旨趣相近。靈運又富於音樂涵養，注意詩中的音樂成分，句子間的韻律諧美，預示了永明詩聲律的新變。在他之後的謝家子弟謝莊、謝朓，更是善解音律、識別清濁，尤其謝朓，理論與創作兼顧「音韻悉異」、「角徵不同」，聲韻協調，是奠定近體詩音律的重要人物。

Hsieh Ling-yun's capacity of calligraphy ,painting and music comesfrom Chen Jiun Hsieh Shi 's Family. These capabilities influence hiscreation of landscape poetry. “Cursive script”is easy to express feelings,which is similar to expressing his affection of landscape poetry.TwoJapanese scholars evidence that Hsieh Ling-yun's landscape poetrythoughts is alike some painting. He pay attention to the musiccomposition of poetry, because of his cultivation of music. His poetrylead the changes in sound of Yongming poem.