英文摘要 |
This article investigates Zhou dynasty inscriptions that begin with the phrase “Qizhu yue” 器主曰. It reaches the following four conclusions. First, when the inscription starts with “Qizhu yue,” it adopts the vessel maker’s voice and tone of expression. Second, the structure of these inscriptions became stable in the middle and late Western Zhou, and they were for the most part comprised of three components: the statement of merit, the statement of dedication and the statement of purpose. However, in the Spring and Autumn and Warring States periods, they more commonly consisted of only a self-referential statement and a reason for casting. Third, although the inscriptions from the Western Zhou retain the essential qualities of prayer, considering the uniformity of their structure and content, they were more than likely not the actual ritual texts used in the rites. The ritual texts we read on the bronzes included prayer, eulogia and the motivation behind their composition, which suggests that they were recomposed after the rites were performed. Finally, the theme of the inscriptions underwent an important change, from remembering the ancestors to self-promotion in the midst of social change. In the Western Zhou, “Qizhu yue” inscriptions usually sought to highlight the ancestors’achievements; in the period spanning the Western and Eastern Zhou they converged with other types of inscriptions, including those that extolled military exploits. These later inscriptions focused on the self-promotion of military deeds and political merit during the relocation of the Zhou royal court, a practice that reached its peak in the Spring and Autumn period. They mention ancestors only to demonstrate the legitimacy of their power. In addition to the four points noted above, inscriptions beginning with “Qizhu yue” also shed light on changes in the patriarchal system, the social structure and the spiritual thought of the Zhou dynasty. |