英文摘要 |
The "literary revolution," as initiated in New Youth, can be seen as the starting point of Chinese modern literature. Taking Pierre Bourdieu as parameter, the article concerns itself with the structural conditions in the literary field as well as the means of symbolic struggle adopted by the intellectuals during the May Fourth Movement for the purpose of promoting and constructing the "literary revolution." This article will take into consideration the following four points. 1) the writers of New Youth prompted the devaluation of sinology by re-interpreting the literary history and granted the written vernacular Chinese the legitimacy of knowledge. 2) New Youth became aware of the fact that the rising new generation of intellectuals would soon replace the old scholar-officials. They therefore strategically asserted the contrast between the modern and the traditional. 3) A modern nation state needs a "national language," so the formation of a modern Chinese nation state serves as the conducive background for the "literary revolution" that adopts "written vernacular Chinese." 4) The writers of New Youth emphasized the importance of independent literature and scholarship, thereby allowing the "autonomous" institution of modern literature to emerge. To put it simply, the May Fourth intellectuals, on the one hand, "re-defined" themselves strategically; on the other hand, they launched debates in an attempt to win over public opinions, and further re-organized the literary field while affirming the formation of "modern literature." |