英文摘要 |
This essay explores the Taiwanese anthropologist Tai-Li Hu's three ethnographic films focusing on Taiwanese indigenous rituals in the 1980s-The Return of Gods and Ancestors: Paiwan Five-year Ceremony (1984), Songs of Pasta'ay (1988), and Returning Souls (2012). On the one hand, how Hu intermediates spiritual tradition by documenting the traditional rituals of indigenous tribes embodies contemporary changes. On the other hand, Hu stimulates incipient discussions about new spaces, new perspectives, and new discourses on traditional cultural revival and tribal building of the indigenous intellectuals, who return to tribes to act on "cultural activism" in her recent work, Returning Souls. Hu transforms the cultural context of tribe through tracing the origin of spiritual tradition accordingly. Furthermore, she presents the difficulties of negotiation with different dynamics engaging in reviving tribal cultures in light of cultural interventions in the contemporary society. The three documentaries represent a binary opposition between "the traditional" and "the modern" in the culture of Taiwan indigenous people with cinematic features and critical discourses in perspective. Spiritual tradition, which has shown an affinity for the vicissitudes of extrinsic surrounding of the society and cultural background, gives us a vision of creative transformation step by step. Bringing up an in-depth examination of spiritual tradition, these documentaries provide the leavening in a transcultural situation. |