英文摘要 |
This paper uses queer diaspora studies as a methodology to examine the alternative production of home, family, and kinship in Jackie Kay’s award-winning novel Trumpet (1998). In the novel, the protagonist Joss Moody, having lived a legendary life as a famous jazz trumpeter with his wife Millie and an adopted son Colman, at his death turns out to be a woman. In fact, the story is not only about gender and sexuality; it is also concerned with race, for Moody’s place in the culture of the black Atlantic constitutes his diasporic identity and locates him within a collective past of a transnational migration. This paper argues that the novel’s questioning of sexuality and ethnicity can be better understood through the lens of recent developments in queer and diaspora theories explored by Judith Butler, David Eng, Gayatri Gopinath, Meg Wesling, Jasbir Puar, and so forth. If traditional concepts of home, nation, and sense of belonging tend to hinge upon heteronormative logics of reproduction and ideologies of racial purity and nationalism, Trumpet indeed carves out alternative pathways of affiliation that are more attentive to nonnormative bodies, desires, and subjectivities. Moreover, the novel not only explores an anti-essentialist fluidity of racial and gender identity, it also emphasizes the grounded, material labor process that goes into the production of embodied identity, the materiality of black experiences, and the visceral bonds of caring and intimacy. |