英文摘要 |
This paper examines Margaret Cavendish’s The Blazing World from an alchemical perspective, with special references to passages regarding the perception of the cosmos and the creation of immaterial worlds. Even though the text is not the first work addressing the Utopian theme, it is innovative in utilising alchemical allegories to present both the author’s philosophical thoughts and the process of creative writing. In order to explore the complexity, versatility and richness of The Blazing World, my reading focuses on the Empress’s discourses on nature and the narrative surrounding her creation of worlds, while at the same time draws from early modern alchemical texts, particularly the treatises by Paracelsus and Michael Sendivogius. I argue that it is necessary for modern readers to revisit the esoteric and mystical nature of alchemical imagery, in order to develop a more profound understanding of the ways in which the Duchess of Newcastle created and refined her various imaginative worlds. |