英文摘要 |
Joyce Cary used to be considered as an English writer of humanist inclination. With the rise of postcolonialism, his writing was either endowed with an imperialist touch, or included in the trans-European tradition of African novels. Such readings politicize Cary's texts at the risk of suppressing his Anglo-Irish identity. In consideration of this methodological gap, the present paper restores to their Irish context Cary's An American Visitor, Aissa Saved, The African Witch, and Mister Johnson, in order to uncover his agenda for writing Africa. Cary's Africa is a colonial space in jeopardy, with the internal conflict of English rule intertwined with native resistance to colonial power. This jeopardy is almost always triggered by westernized Africans. Like Cary, they pursue unattainable liberation and freedom while wavering between Englishness and nativism. Through this hybrid African image, Cary attempts to draw an analogy between Africa and the dis-empowered Ireland and to construct a hyphenated national identity of English liberalism and Irish innocence. As he pleads for this marginal identity, Cary also reveals the problems within imperial rule over the colony. Under external forces the Big House in Cary's later works can barely accommodate the children, much as Cary had to put himself into exile to England while Ireland became an independent nation. Through writing Africa Cary manages to restore his primal 'home' although his real home was lost, and his choice of England as his home was barely an option. |