英文摘要 |
This paper discusses the poems of Lin Yu and Xia Yu under the concept of “movement-poem” derived from Gaston Bachelard and Gilles Deleuze. Firstly, Bachelard describes the ontology of trans-subject by the notion of “anima” and “animus”, which marks the turning-point of his poetics. Bachelard’s thought can be clarified in certain degree by citing Deleuze’s insight on nomadism. Secondly, I illustrate “the slope of dream” by Bachelard and “the plane of immanence” by Deleuze in order to extract the idea of “movement”, and turn to the poetics of “movement-poem”. Then, I analyze the poems of Lin Yu and Xia Yu under the concept of “movement-poem”. After the textual interpretation, this paper shows that the subjects in Lin Yu’s poems display the movement by means of dramatic performance, whereas Xia Yu creates a kind of “hidden-subject” that transforms into an observer or a “becomingcamera” to probe another way of existence. The notion of “movement-poem” brings the different ontology and epistemology of poetry, provides us another aesthetic to read and experience. |