英文摘要 |
As a highly-developed entertainment in the nineteenth century, the French popular theatre in the Boulevard du Temple neighborhood was an important visual medium, through which the contemporary audience had an access to the exotic world on the stage. The theatrical scenes of Chinese characters and customs, which dated from the late seventeenth century, by now turned into a part of common knowledge to the "grand public". In 1813, a successful vaudeville entitled "Les deux Magots de la Chine" was performed on the stage of the Théâtre des Variétés. Through an analysis of this production and related theatrical events, this paper will examine how the China/Taiwan images were represented on the French stage in the period of the First Empire. To provide a more complete understanding of this production, I will build my argument on the review in the almanacs, the opinions of the censorship commission, unpublished dramatic texts and theatrical pictures. Such a cross references help to deliver a more clear profile of the artists' and the audience's Far Eastern imagination. |