英文摘要 |
According to the Nobel Committee, Gao Xingjian's One Man's Bible is characterized by its author's attempt to summarize the frenzy of China's Cultural Revolution, to confess what he did during this period, while adopting a non-committal, non-moral and non-redemptive narrative stance. Disagreeing with this observation, this paper will view Gao's novel from the perspective of literature of testimony, in the context of a post-traumatic era, and explore its complexity and ambivalence in representing history, memory and its narrative ethics. This paper argues that the double identity of the fictional narrator-protagonist as both victim and persecutor in the Cultural Revolution has not only affected the narrative strategy of the novel and hence the representation of memories, but also deterred him from seriously reflecting on the Cultural Revolution and his responsibility. Viewed in this light, this novel is not so much a testimony of the Cultural Revolution as a work of fiction that testifies to the dilemma of Cultural Revolution narratives, in which the Cultural Revolution simultaneously demands and defies witness. |