英文摘要 |
Native Canadian playwright Tomson Highway combines native myth and resistance discourse in his The Rez Sisters. Highway in this play depicts the journey of seven indigenous Canadian women to Toronto to participate in “The Biggest Bingo in the World.” Dissatisfied with their lives in their hometown Wasy, the seven women all wish to win the jackpot to realize their respective dreams. However, the van ride to Toronto serves as a literal and figurative journey for the preparation of the Rez sisters’ disillusionment. With the death of one of their sisters at the Bingo place and the loss of the game, these seven women come to a new stage of their life. Highway at the end of the play allows these women to acquire spirituality through the enlightenment of Nanabush, the Trickster. The appearance of the Trickster teaches them to walk out of the “rape” of the Native pride and culture by white civilization and society. In this paper, I analyze how Highway offers a new racial identity through the lesson these women learn. Instead of staying put, or complaining about their marginalized status, the indigenous should first discard the detrimental pollution (capitalistic materialism; warped self-image) and then strive for preserving and rejuvenating their own heritage, so as to eliminate the distorted subjectivity constructed by whites, and more significantly, to have a true identity of their own. |