英文摘要 |
Foregrounding the nationalist narrative in literary discussions is one of the most noteworthy aspects of Taiwanese literary history. The best example is the native-modernist contention around the 1970s, from which a dichotomy of "traditional vs. foreign" discourse was drawn. In fact, drawing upon the nationalist narrative and cultural identity to buttress one's literary standpoints can be traced back to the Kuso- Realism Debate launched by Mitsuru Nishikawa and his assistant editor Shih-tao Yeh during the wartime period. Therefore, in order to grasp the whole picture of the history of literary debates in Taiwan, it is necessary to extend our focus to the Japanese colonial period. This paper seeks to analyze Nishikawa's argument over the Kuso-Realism Debate. It points out that Nishikawa's critique targeted not only the group of so-called Taiwanese Kuso-realists, but also modern Western thought. As a point of departure, this article illustrates the relationship between Japan and the West in modern times. After discussing the formation of the confrontation developed during World War II, it takes a step further to explore how Nishikawa and other Japanese intellectuals constructed their concepts and discourse about "Japan" and "Japanese tradition" from a nationalist perspective. Based on the result of the analysis, this paper will finally discuss how those concepts contradict the collective imagination of Taiwanese writers. |