英文摘要 |
The "post-colonial" dilemma the Americans faced in the early nineteenth century is of a different nature from that of Third-World countries. Unlike those countries, which have a pre-colonial cultural tradition to appeal to, European Americans share the same languages, religion, skin color, and even blood with their European forefathers. How could the former colonists be able to feel their new identity? To distinguish themselves from their European forefathers, the political leaders launched a cultural nativism. But the movement was greatly threatened by the existence of native Americans. European Americans had an unspeakable fear that the putting on of a local color might taint their white quality and turn them into barbarians. To strike a balance between the European and the Indian Other became the source of the identity crisis confronting the new republic in search of an American self. James Fenimore Cooper's Leatherstocking series can be seen as a sign of this "in-between" national subjectivity. Exploring the shift of narrative framework in different phases of the Leatherstocking series, this paper will discuss the plight in American nationalism and the ideological ambivalence Cooper reveals in the attempt to produce a national narrative. |