英文摘要 |
This paper examines Doris Lessing’s creation and conjoining of two narratives regarding memory in her 1979 sci-fi novel Shikasta. When the protagonist Johor becomes skeptical of the accuracy of his personal records of Shikasta, he, aided by the ape, the Giants, and the Lock, is able to explore and even modify impersonal memory, thus symbiotically revising cosmic evolution. Gilles Deleuze’s appropriation and extension of Bergson’s concept of memory is applied to decode Lessing’s dual vision of memory: empirical, personal memory on the one hand, and ontological memory that preserves itself outside the brain, on the other. Johor’s task epitomizes such a dual vision which comprises the gist of the novel. This article shows how such a vision transcends limitations of psychological memory so as to facilitate intervention into cosmic memory, sometimes called an “overmind.” Aided by the Lock, Lessing’s character tunes into the virtual cosmic past, interacts actively with ontological memory and participates in the evolution of the virtual cosmos. This reading explores how Lessing’s turn to the impersonal in Shikasta is not an endorsement of totalitarianism but rather a way to overcome politics by resorting to the ontology of a virtual cosmos. |