英文摘要 |
Considering the decisive interruption within Western poetics introduced by Paul Celan’s work, this essay takes a devious path in discussing Celan’s importance for contemporary thought. I avoid direct engagement with interpretation of any poem by Celan but try to think through the alterations of the speaking subject caused by the historical disaster of the Holocaust. Examining how critics like George Steiner and Peter Szondi situate Celan’s work, the first part of the essay delineates the inner limit/cut that Celan’s poetry of disaster has inflicted upon the double face of poetry-thought, which can be traced back to its Greek origin. The second part is focused on the thinking and poeticizing of disaster as a direct response to the Nazi’s excessive representation of the world. Celan’s poetics, I will argue, originates in the fissure of Kantian transcendental apperception, or the inner spacing of representations. Celan’s calling to “the strange” urges post-Auschwitz art and poetry to abandon any natural attitude towards disaster and to address the alterations of representational discourse in the form of poetic aporia. |