趙孟頫書學在帖學傳統中的典範意義

On the Paradigms Zhao Mengfu’s Penmanship Has Established in Traditional Hardwood Calligraphy

無論是書學實踐或是古法精神，趙孟頫畢生都以王羲之為典範，他用自己的詮釋，重構了晉人書風的韻致與格調，影響後世書風深遠。然而在當代提倡「新帖學」的書家眼中，卻認為趙孟頫簡化了晉人筆法，甚至毫無古法意識。本文從趙孟頫以王羲之為理想的書學實踐談起，闡述趙孟頫對王羲之書法的追求與接受；接著說明趙孟頫所重構的古法精神應涵蓋哪些層次？最後導出趙孟頫書學在帖學傳統甚至是現代書學中，技巧層次和文化層次上的典範意義，也希望藉此回應「新帖學」的論點。

Zhao Mengfu dedicated his life to deriving the heritage from Wang Xizhi in both his calligraphy practice and his revival of gufa(the ancient penmanship). He reconstructed the styles and characters of calligraphers in Jin dynasty from his own interpretation and has an ever-lasting influence on the future calligraphers. However, scholars in xin tie xue contend that Zhao simplified the penmanship of the Jincalligraphers and had no sense of gufa. Thus, this paper begins with a discussion on how Zhao regarded Wang as and ideal calligrapher and on his pursuit and reception of Wang’s penmanship. Then the following parts explain the levels Zhao’s reconstruction of gufa has covered and conclude with the skill and cultural paradigms Zhao has established in traditional and modern calligraphy as a response to the arguments of scholars in xin tie xue.