英文摘要 |
This study tries to not only classify the logic of figurative designs whose forms are based on some reasonable visual connections but also examine their recognition from users. It first defines these visual connections as metaphor, simile, allegory, metonymy, and analogy borrowed from linguistics, and then systematically analyses these elaborate relationships between products and the signs through illustrations. The investigation shows that the recognitions on the products' functions are easier to realize than the signs that the designers intend to apply, and the recognitions on the signs that the designers apply are easier to realize than the connections between the signs and the products. It also appears that the users have design background are more sensitive than the others on the recognition of the product's function, sign, and connection between the signs and the products. |