英文摘要 |
This article describes the life of Ye Jung-chong as an anti-Japanese intellectual in the post-colonial era. Before World War II, Ye Jung-chong was a right-wing intellectual of the anti-Japanese movement. Such had been his image in modern Taiwan. After the war, he published a series of works in the 1960s when Taiwan was still under martial law, thereby passing down his experiences and memories of the anti-Japanese movement in the 1920s to the younger generation. This article attempts to explore the historical background and his life experiences that changed Ye Jung-chong from an anti-Japanese intellectual into a writer of historical experiences. Although not belonging to the postwar generation, Ye Jung-chong attracted much the attention of the postwar generation both domestic and overseas because of his book, History of the Taiwanese National Movement, and because he was part of the 'back-to-reality' trend of thought of the 1970s. Although he was invited to write History of the Taiwanese National Movement as a refutation of Yang Chao-chia's memoirs, it did reveal his strong 'determination to write history.' In the aftermath of World War II, his role as a 'writer' overlapped with his engagement to 'write history.' Ye Jung-chong's zeal to write history stemmed from his demand for equal recognition of the Taiwanese history and culture. His spirit of recording history had set a precedent for the postwar generation, including Kang Ning-hsiang, Huang Huang-hsiung and others. Moreover, every time a predecessor of the anti-Japanese movement died, Ye Jung-chong published essays of commemoration and passed down memories of the forerunners. The 'tangwai' magazines inherited his literary style, which was also a part of his legacy prior to the study of Taiwanese history in the later half of the 1980s. Analyzing the writing activities of Ye Jung-chong in his late years can shed light on the post-colonial cultural movement and the process through which historical experiences of Taiwanese under Japanese colonial rule were discoursed, which makes it a part of social memory under the KMT's dominant, one-party regime in the postwar era. |