初探台灣的議題動員取向演唱會：以「正義無敵」及「音樂．生命．大樹下」為例   全文下載

A Preliminary Exploration of the Issue-Mobilization Oriented Concert in Taiwan: The Cases of the "Justice for All" and "Music, Life, Under the Tree"

本研究關懷音樂在社會運動中所扮演的「強連結」角色，以台灣具代表性的2007 年「正義無敵」及2005 年「音樂‧生命‧大樹下」兩個演唱會為例，探索籌辦演唱會的行動者如何藉由演唱會的形式進行組織動員？如何可能在演唱會的展演與體驗過程中對參與者產生培力作用？我們發現，音樂透過特定的演唱會組構，的確與政治社會運動產生強連結，超克僅僅是宣傳的作用，乃至於在本地的脈絡下，有可能發展出一套嶄新的音樂場景以及音樂動員結構。本研究試圖建構「議題動員取向演唱會」的概念化，並初步歸結不同音樂社群將音樂美學連結到政治參與之公共性想像的過程與差異，以及描繪音樂場景對於參與者的情感動員之複雜作用。

This study aims to explore the role played by the music in social movement through the cases study of two issue-mobilization oriented concerts (IMOC): "Justice for All" and "Music, Life, Under the Tree". We investigate the ways activists use the music concerts to achieve the goals of mobilization as well as empowerment. Based on the analysis of "organization-legitimation-performance" framework, we argue the music activism actually creates "strong links" with social movements, which has transcended the mere propaganda level. Furthermore, we observed the possibility of the IMOC to shape the new mobilization structure in Taiwan’s context. Besides, we discuss the activists’ variant imaginations of the articulation between music and public participation that influence the music scenes’ morphology as well as their relations with the crowd. Finally a research agenda concerning the resistant music and cultural reterritorialization was proposed.