浪漫主義的情感表現理論：一個社會理論式的考察

Romantic Expressive Theory of Emotion: A Socio-Theoretical Examination

本研究旨在考察情感語意於浪漫主義時期的升值軌跡。從「社會結構／語意」這組差異出發，研究者將個體化的社會視為情感語意得以升 值的結構性限制。在這個結構空間中，「內／外」這組區分補充了「自然／文明」這組區分；天才成為在個體內部表達個體性的語意，也就是藝術系統發展出來表達系統的語意。為了將系統的運作與系統的觀察連結起來，情感的流露就被穩定下來成為足以媒合兩者的媒介。最後，透過歷史的考察，研究者發現，這是浪漫主義最重要的歷史成就之一。

The current paper is to follow and examine the traces of the revaluation of the semantics of emotion in the Romantic period. The approach is primarily founded on the distinction between social structure and semantics and assumes the individualized society to be the structural precondition for the revaluation of the semantics of emotion. Within this structural space, the distinction between inside and outside complements the distinction between nature and civilization and "genius" thus becomes the semantics which expresses the individuality inside an individual, or in other words, which is developed by the art system for expressing itself. In order to couple the system's operation and its observation together, the overflow of feelings (emotion) is then stabilized as a medium which makes the coupling possible. Finally, by demonstrating a historical examination of the semantics, the paper will end up with the conclusion that this kind of development can therefore be regarded as one of the most significant historical achievements of Romanticism.